This monograph looks at the ways that Civil War-era practices of portraying the body, starting with the song "John Brown's Body" incorporate people into the nationalistic labor of supporting the war effort. Nudelman reads a wide variety of cultural texts, from "Benito Cereno" and Melville and Whitman's war poems, to battlefield photographs, to practices of dissection. The book's arguments were convincing--and Nudelman sold me on her work's relevance to modern instances of violence.
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