Incidents in the Life of a Slave Girl by Harriet Jacobs

Harriet Jacobs tells of her life as a slave in this narrative. She frames the story on either side with affirmations from people who have known her that her story is true and not exaggerated. She specifically seeks to engage the sympathy of the free women of the North; to that end she focuses on the experience of motherhood for a slave. Although she makes much of the fact that she missed the opportunity for formal education, she is able to deploy the style and grammar that white Americans would have used at the time. The book ends not with a marriage but with the freedom of Linda (the name Harriet uses in the book) and her two children; there's a nice development to that point on the ethics and practical concerns involved in buying the legal freedom of someone who considers herself free.

The Saga of the Volsungs translated by Jesse Byock

I read this saga because it inspired both Wagner and Tolkien. The story will be mostly familiar to anyone who knows the story of Wagner's Ring der Niebelungen, although he did change his source material (and merge it with material from the more courtly, German Niebelungenlied in places). This translation did not distract from the plot, although at times the phrasing sounded clunky in English. This epic moves quite quickly for the amount of time covered. The introduction was decent; I particularly enjoyed the parts tracing the influence on Wagner. I thought Byock spent too much time on the possible historical connections. The notes were appropriate--neither too many nor too few.

Reading Clarissa by William Warner

This study first offers Warner's own reading of the text and then examines the critical history of the publication of Clarissa. While his reading of the text was informative, I far preferred the second half of the book, which focuses on the critical reception of the novel. Richardson published Clarissa in parts, and was in correspondence with (mostly female) readers about how the novel should end even as the final volume went to press. He declined to take the most popular suggestion (to marry Clarissa to Lovelace), but he did consider readers' input when publishing his second and third editions of Clarissa, which were edited to make Lovelace nastier and less likeable than before.

Through the Looking Glass by Lewis Carroll

The second novel in this omnibus edition, Through the Looking Glass continues Alice's adventures, this time organized around a game of chess. The backwards nature of the world through looking glass is particularly well-realized. Many of Lewis's most beloved poems, including "The Walrus and the Carpenter," and "Jabberwocky" appear in this novel. Tenniel's classic illustrations accompany this edition, and add a lot to the reading experience. The more adult themes that accompany this book include the question of whether language reflects inherent properties, and what's in a name.

Alice in Wonderland by Lewis Carroll

Alice in Wonderland, the first of two novels in this omnibus edition, is generally read as a children's story. As delightful as children find this fantastical world, Carroll's text grapples with questions of identity, language, and reason that anyone could consider seriously. Particularly intriguing are Alice's continual questioning of who she is (as her size is constantly fluctuating) and the novel's critique of learning by rote.

Clarissa by Samuel Richardson

This epistolary novel rewards the reader proportionately to the effort put in. That is to say, one ought to be prepared to give the whole thing a serious and careful reading in order to derive pleasure or knowledge from the experience. If you're willing to put the time in, though, this novel has many rewards. The plot could be summarized in a sentence: the best and most virtuous girl in the world runs away with a rake, who rapes her, and then she dies of a broken heart. However, as one sinks into the ever more complex layers of meaning and signifier in the text, this novel becomes increasingly compelling and addictive.

Clotel by William Wells Brown

This book, generally considered the first novel by a former slave, consists of a pastiche of many different sources. While this construction makes it difficult to become engaged with the characters at first, it allows the author to show the degrading and cruel consequences of slavery over a broader spectrum of experience. This universalizing factor is important, as the book makes the persuasion of the British that American slavery is morally wrong a primary goal.