Fairy Tales from the Brothers Grimm: A New English Version by Philip Pullman

This collection of fairy tales is selected from the Grimm brothers' final 1857 anthology of fairy tales. Pullman has translated (and in some cases adapted) the stories to tell what he considers to be the best fairy tale. There are a lot of familiar tales and a number of unfamiliar ones too--and all of them are classified and given a place in folklore through helpful end notes. These fairy tales have their own standards--their standards are not those of modern literature, for example--and they rely heavily on a system that rewards and punishes characters for their actions. At times the stories are gruesome, at times unrealistic, and at times they do not take the familiar routes to the stories, but this collection is well-worth a read.

Four Queens: The Provencal Sisters Who Ruled Europe by Nancy Goldstone

This book is part biography and part history. It's about the four daughters of Raymond Berenger, count of Provence. Marguerite and Eleanor marry the kings of France (Louis IX) and England (Henry III), respectively, and the two younger daughters marry their sisters' brothers-in-law. Both of these brothers are crowned kings in their own right (although they do less ruling). Sanchia marries Richard of Cornwall, who is briefly king of Germany, and Beatrice inherits Provence and marries Charles of Anjou who takes the throne of Sicily. I was very interested in the power politics behind the thrones, and I loved reading the history associated with these four women. I was surprised by how much a king's prowess in battle mattered in the Middle Ages, and by how religious Louis and Henry both were. I also enjoyed a minor theory expounded in the book: while earlier Provence had been the center of a literary movement (troubadours writing poems about courtly love) after Raymond Berenger died, there was no count (and thus no court) in residence in Provence (Beatrice lived in Sicily, and in other places, after her marriage), so there was not the same support for the arts, and the interest in love poetry moved south--to Italy.

Der Vorleser by Bernhard Schlink

I read this book in German. It starts as a conventional bildungsroman--a teenager falls in love with an older woman, but the affair ends and the boy moves on. Later, the young man, now a law student, comes across his former lover again--as one of the defendants in a trial which is trying to determine the guilt of former concentration camp guards. The novel explores the question of secrets--what secrets are most important, what actions should we be ashamed of--and the question of fitting in--what skills are necessary to live in our world, what might those who lack these skills be forced to do to make up for that lack. There's no moral high ground here, and no absolution in the end. But if we cannot forgive, we can still understand, and mourn the losses and broken lives all around.

The Teleportation Accident by Ned Beaumont

This novel is exactly the sort of novel I love to read: it's witty, self-referential, aware of its own status as a novel, and a lot of fun. Egon Loeser is the painfully self-absorbed anti-hero whose world is crumbling around him (he's an artist in Berlin in the 1920s)--but he doesn't see the political dangers because of his personal problems (an inability to get his show produced or to win over the charming Adele Hitler [no relation to Adolf]). He serendipitously leaves Berlin for Los Angeles (via Paris) chasing Adele, but he doesn't have any better luck in either place either with Adele or with his show. Yet, as the novel progresses, we learn more and more about Loeser's obsession with Adriano Lavinci, an Italian set designer who died in what is known as the Teleportation Accident (one of Lavinci's sets destroyed a theater in Paris). The novel teases readers: was Lavinci a theatrical genius, or a scientist centuries ahead of his time, or a magician? I definitely want to re-read this book; it may have been my favorite entry on the 2012 Booker Long List.

The Origins of Totalitarianism by Hannah Arendt

In this book Hannah Arendt looks at the rise of totalitarianism in the 20th Century as embodied by the two most prominent instances of it: Nazi Germany and the USSR under Stalin. Arendt traces this rise first through anti-Semitism, which began in the 19th Century, and then through imperialism to totalitarianism itself. This book is dense, comprehensive, and well argued. In addition to a lot of historical evidence, Arendt demonstrates why totalitarianism is so dangerous, and how the Nazis and Stalinist Russia used prison camps, secret police, propaganda, and conspiracy theories to dehumanize their populations.

Half Blood Blues by Esi Edugyan

This book masterfully tells the story of a jazz band just before and during the Second World War. The trumpet player, Hieronymous Falk, is a prodigy--worthy to play with Louis Armstrong, but even in Paris he's having visa problems (his German nationality isn't helping matters any) as the band tries to head for the United States. Jealousies about musical talent and a woman, and the pressures of living in occupied Paris all come to a boil as the band cuts a wonderful record turning Nazi propaganda on its head. I loved the way this book played out--moving between (something close to) the present day and the past, with a narrator just self-interested enough not to be entirely trusted. It's a fresh and engaging World War II story.

The Confusion by Neal Stephenson

This book contains more of the same careful attention to detail, plot, character, and history which marked Quicksilver, but it also does much more to suggest the overall arc of the plot--where things are headed. This clarity could come from the fact that I've already read one book setting things up, but I appreciated it. I loved the gold-theft plot--it worked particularly well between the two interwoven books (writ large, the story of Jack and the story of Eliza). I'm looking forward to the third book in this trilogy.

In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin by Erik Larson

This book portrays Berlin (and Germany) during Hitler's rise to power in the early 1930s through the lives of the American ambassador to Germany (William Dodd) and his daughter, Martha. I found this book fascinating--especially for the portrait it paints of Germany between the wars. At times, the storyline following the family struck me as a bit desultory, but overall, it gave a nuanced portrait. The book makes me think that what happened in Germany during that time was not inevitable, and that the various players were not as easily categorized as I might have suspected.