The Poisoned Crown by Maurice Druon

This book continues the story of the end of the Capetian kings in France. Philip the Fair, son of Saint Louis, has died and passed the crown to his somewhat incompetent son, Louis X, le hutin, who has just had his estranged wife strangled so that he can remarry. But the kingdom is full of plots, and Louis's inability to gauge his friends and enemies may be his downfall. This book is another enjoyable entry in the series.

The Strangled Queen by Maurice Druon

This book continues the story of the French throne after the death of Philip the Fair (IV). Louis X, Philip's son, inherits the throne, but he must decide what to do with his unfaithful and inconvenient first wife. In the meanwhile, a variety of other people are making their own plays for power. I enjoyed this story: it really makes the history and the people come to life.

The Iron King by Maurice Druon, translated by Humphrey Hare

This book starts in France with a sibling rivalry: the wives of Philip the Fair's sons are rumored to be unfaithful, and Philip's daughter Isabella, trapped in a loveless marriage to the King of England, wants to do something about it. But when the family is royal, the repercussions of a family fight are wide: they extend to the church and the very peace of the kingdom. I really enjoyed this book, which is historical fiction in the best French tradition and sets up a series clearly and compellingly.

Four Queens: The Provencal Sisters Who Ruled Europe by Nancy Goldstone

This book is part biography and part history. It's about the four daughters of Raymond Berenger, count of Provence. Marguerite and Eleanor marry the kings of France (Louis IX) and England (Henry III), respectively, and the two younger daughters marry their sisters' brothers-in-law. Both of these brothers are crowned kings in their own right (although they do less ruling). Sanchia marries Richard of Cornwall, who is briefly king of Germany, and Beatrice inherits Provence and marries Charles of Anjou who takes the throne of Sicily. I was very interested in the power politics behind the thrones, and I loved reading the history associated with these four women. I was surprised by how much a king's prowess in battle mattered in the Middle Ages, and by how religious Louis and Henry both were. I also enjoyed a minor theory expounded in the book: while earlier Provence had been the center of a literary movement (troubadours writing poems about courtly love) after Raymond Berenger died, there was no count (and thus no court) in residence in Provence (Beatrice lived in Sicily, and in other places, after her marriage), so there was not the same support for the arts, and the interest in love poetry moved south--to Italy.

The Romance of Tristan by Beroul and translated by Alan S. Frederick

This book combines prose translations of The Romance of Tristan by Beroul and Tristan's Madness. The story is not one that a modern reader would expect: there's little continuity (for example, one character dies twice), and the author tells the reader what to think (and then the characters' actions may not match the author's descriptions of their morality). But this version does give a clear version of the romance of Tristan and Yseut with the best episodes preserved (the sword between the sleeping lovers, the piggy-back ride in disguise, Yseut's double-speak, the sail confusion). Of interest to those who want a more complete view of the Matter of Britain and those interested in medieval romance (in a modern translation).

The Art of Courtly Love by Andreas Capellanus

This book is Andreas Capellanus's guide to courtly love. Capellanus was chaplain at the court of Marie of Champagne, and supposedly wrote the book at her request to portray conditions at the court of Eleanor of Aquitane, who was Marie's mother. The first book describes what love is (pain--and, by the way, it can't be experienced between a husband and wife) and how to woo a lady (with descriptions giving sample conversations between eight different couples of different social statuses); the second book describes how to retain love once you've wooed someone; and the third book is a palinode that suggests rejecting love in favor of religion. The book reminded me a lot of Machiavelli's The Prince in genre and style (and perhaps even in content at times). There were some really lovely allegories scattered throughout the book, which added interest to its narrative.

A Play of Heresy by Margaret Frazer

In this book Joliffe begins investigating the death of a man who was supposed to meet another of the Bishop's spies to inform about the actions of Coventry Lollards. Joliffe, who has been reunited with his troop in time for the annual Coventry cycle (although he's in a different play), investigates the murder as he helps organize the play. There's a side plot about Joliffe working for a man who deserted the acting troop several years ago during some hard times, but I didn't find that part quite as compelling. The family relationships and the religious question were a little more difficult than usual for me to untangle, but I loved the historical setting--especially seeing the play cycle put on.

Foucault's Pendulum by Umberto Eco

This book centers around three editors for a vanity press in Milan. When the press decides to start publishing a series on the occult, the editors, up to their ears in conspiracy theories, decide to create their own version of the Plan, by which the Templars secretly went into hiding in the fourteenth century, and which they were supposed to use to return to power in 1944. But as the conspirators cook up the Plan, they realize that others are taking their game very seriously. Part of this book is a fun conspiracy story--it puts together an almost-plausible narrative that links the Templars with other mysterious groups through the ages (and has a ton of literary and cultural in-jokes, to book). What separates this book from something like The Da Vinci Code, though, is that the other part of the book is so moving. Belpo and Causabon, in particular, are well-developed characters, and the reader comes to understand that their manic devotion to finding the truth behind these conspiracy theories (which in the book are lined up like a house of cards) is about a lack of meaning in their day-to-day lives (which they only realize too late) rather than from any value inherent in the theories. I really enjoyed this story.

The Princess, The Crone, and the Dung-Cart Knight by Gerald Morris

In this book a young woman with remarkably fine clothes sets out to avenge herself on the knight who lead to the deaths of her mother and her protector. As she travels, however, she learns that revenge isn't everything and that she's not the center of the universe. I was not familiar with the Chrétien de Troyes story on which this book is based, but I enjoyed the story. I also really appreciate this version of Lancelot, who seems to have given up his passion for Guinevere.

The Ballad of Sir Dinadan by Gerald Morris

This book had considerably less to do with the Seelie Court (i.e. fairies) than previous entries in the series. I still enjoyed it however. I particularly liked the inclusion of Sir Palomides and the depiction of Sir Dinadan's humility. There was a nice twist in his friendship with Lady Brangienne as well. Finally, the depiction of Tristram and Iseult was somewhat of a relief after all the overblown accounts of their story.

A Play of Piety by Margaret Frazer

This mystery brings Joliffe back to his troupe, who are holed up at a medieval hospital while Basset recovers from an attack of arthritis. The novel portrays medieval medical care with great acumen. As these books tend to go, the mystery develops slowly. I was a little disappointed that the crowner does a fair amount of the legwork off screen. Still, an enjoyable book.