The Eye in the Door by Pat Barker

This book continues the stories of Dr. Rivers and some of his patients, especially Billy Prior, during World War I. Billy is put in the position of choosing between his government job and the family of the woman who raised him, a woman suspected of plotting to assassinate Lloyd George. Billy's position is all the more complicated due to periods of missing time where he doesn't remember his actions. This book continues Barker's explorations of the psychic wounds of World War I.

All We Know: Three Lives by Lisa Cohen

This book provides three more-or-less well-developed biographical sketches of three women who traveled in similar circles during the years of modernism. It contends that in understanding the lives of these three women (Esther Murphy, Mercedes de Acosta, and Madge Garland) we can uncover a feminine side to high modernism, which seems to consist of a writing side, a fan side, and a fashion side. But I don't think the book makes its case particularly well. Even though all three women knew each other, I had trouble understanding why we needed their stories to be told together. The biographies are certainly entertaining, I just am not sure the premise of the book holds together as well as it might.

Blood Read: The Vampire as Metaphor in Contemporary Culture edited by Joan Gordon and Veronica Hollinger

This collection of essays examines the role of the vampire in contemporary literature. Its essays are grouped into four categories: the development of the vampire metaphor in an historical continuum, on writing vampire fictions, the role of disease and disease metaphors in writing contemporary vampire fictions (especially AIDS), and the vampire as an other (especially related to sexuality). I found some of the essays in the collection stronger than others ("Consuming Youth: The Lost Boys Cruise Mallworld" by Rob Latham on the ways in which the film The Lost Boys enacts the capitalist/vampire metaphor in our contemporary economy was particularly good), but all of the essays do better with reading a given text or set of texts than theorizing in new and exciting ways.

Vernon God Little by D.B.C. Pierre

This book is a send-up of US media culture. In the wake of a school shooting, the shooter's best friend--and the book's narrator and protagonist--is suspected of being involved with the plot. As the aftermath unfolds, however, we see the incompetent police, news media, and legal system, unfairly target Vernon Little. Although many descriptions of the book describe it as humorous, I was more horrified than amused. Winner of the 2003 Booker Prize.

A Visitation of Spirits by Randall Kenan

This novel explores Horace Cross's struggle to find his place in a small, tightly-knit, religious town in North Carolina while accepting his identity; he attempts to reconcile his family's expectations and the religious truths with which he's been raised with his growing awareness of his homosexuality. Although Horace cannot come up with a workable solution (he turns to magic and demons, which ultimately betray him), the book uses its beautiful style and complex structure to give depth to Horace's experience and to the spirits of his family which haunt him and which have their own secrets.

Let the Dead Bury Their Dead by Randall Kenan

This collection of short stories, mostly set in the fictional neighborhood of Tims Creek, North Carolina, delights with its beauty, humor, and meta-fictional commentary. The stories feature a wide range of protagonists, and gradually set out a depiction of a community with memorable characters. I particularly loved "Clarence and the Dead (and What do they tell you, Clarene? and The Dead Speak to Clarence)," "Things of This World ; or, Angels Unawares," and "Let the Dead Bury Their Dead; Being the Annotated Oral History of the Former Maroon Society called Snatchit and then Tearshirt and later the Town of Tims Creek, North Carolina [circa 1854-1985]." The stories show the magic inherent in everyday life and satirize academic attempts to interpret or explain the community.

The Line of Beauty by Alan Hollinghurst

This book is a bildungsroman of sorts of Nick Guest, a young gay man who spends the 1980s living in London at the wealthy, conservative, and political active family of a college friend of his. The book is a comedy of manners that exposes the emptiness not only of Nick's life but also of his friends and the people in his social milieu. As personal and political disaster close in on Nick and his household, he's left with the memory of the various lines of beauty (of someone's body, architectural, or even lines of cocaine) that he's experienced, but not much hope for the future. I found this book to be an extremely compelling read: the plot moves forward organically and the prose is beautifully styled. Winner of the 2004 Booker Prize.

The Casual Vacancy by J.K. Rowling

This book is not Harry Potter. Rowling's skill at managing a large cast of characters and connecting widely diverging elements of the plot is still present, and she presents some scenes really well, with dark humor coming through. Whether recounting the disappointments of a dinner party or a mid-life infatuation with the lead singer of a boy band, she seems especially sharp on both life's little disappointments and the struggle of putting up a good face in spite of them. The story's sharply plotted and entertaining--Rowling takes the occasion of the sudden death of a parish councilor in the small town of Pagford to air the town's hypocrisy and deep-seated divisions. The novel's point-of-view jumps rapidly from character to character, and the many connections between characters from all walks of life (and between the people who live in Pagford village proper and the Fields, a low-income housing development which many Pagfordians are trying to annex to the neighboring town of Yarvil) belie the idea that the Fields are not properly part of Pagford. Rowling also investigates the motivations of charity and social work (many characters who are professionally involved with helping the poor ignore huge problems within their own families). The book defiantly sets itself apart from the Harry Potter series with plenty of drug use, sex, violence, and rough language. This roughness does not, in and of itself, make the book a bad book (although it does make it inappropriate for many of Rowling's younger readers). Still, my biggest disappointment with this book is that it has lost the magic that imbued the Harry Potter books. I'm not talking about actual magic here, obviously, but the magic of a story with epic scope--even if the Harry Potter books didn't always live up to their potential, they started with the idea that we can be our best selves; The Casual Vacancy proposes that, despite our best intentions, we rarely escape our worst selves.

Narcopolis by Jeet Thayil

This book is beautifully written; it requires the reader to relax into the narrative--looking for immediate answers and immediate clarity as to how everything fits in only frustrated me. I really enjoyed following the development of the characters and the sense of place (mostly Bombay in the 1970s, with a diversion into China)--the plot was secondary to me. Shortlisted for the 2012 Booker Prize.

Tobacco Road by Erskine Caldwell

This book portrays the extreme poverty of the Lester family in a story that might be compared to a train wreck: you know you shouldn't be looking (and in this case laughing), but you can't look away either. The book relies neither on sentimentality nor on a proletarian call to action, but rather by turning the readers' reactions back on them: instead of a moral or a plan, Caldwell interrogates why we respond to this family with humor, contempt, and perhaps pity. The failure of the land to produce crops is equated with the family's inability to reproduce within social norms (the Lesters have had seventeen children, but only two still live at home, for example, and the ones who have left want nothing to do with the family). While Jeeter Lester (the head of the family) instinctively knows that his fate is tied to the land and that he wants no part of industrialization (symbolized by the possibility of a mill job in Augusta), the family is completely unable to cope with modernity: they treat their new car as if it were almost human--and in so doing manage to almost destroy it in a few short days. Finally, this book is about rural poverty in the South in the same way that Moby Dick is about whales--certainly it's a relevant topic, but Tobacco Road raises bigger and more pressing questions: What does it mean to be human? and What are the costs of living in a society that allows some of its members to become so abject?

The Sound and the Fury by William Faulkner

This book is about the Fall of the House of Compson, as told through the points of view of its last three sons--Benjy, who is mentally retarded, Quentin, who is suicidally insane, and Jason, who is morally bankrupt--and a third-person, omniscient narrator. Although the majority of the narration technically happens during Easter weekend 1928, the story is continually haunted by its past traumas, which keep slipping in and out, along with Faulkner's cruel golf jokes. This book is a hauntingly beautiful warning about the dangers of getting caught up in the past and about the dangers of settling for a flawed modernity.

Disgrace by J. M. Coetzee

This book tells the story of David Lurie, a middle-aged literature professor who is forced to leave his University post after he has an affair with one of his students. He moves to a rural part of the country, where his daughter lives alone on a farm, but his safety and his relationship with his daughter are imperiled when the farm is attacked. None of the characters clearly held the moral high ground, and I think that this ambiguity is one of the book's strengths. I'm not sure that the book had a fantastic answer, but it posed the question of how do you live life past disappointment and things not working out the way you might have hoped very well. Booker award winner, 1999.

Lord John and the Hand of Devils by Diana Gabaldon

This book contains a collection of three novellas: Lord John and the Hellfire Club, Lord John and the Succubus, and Lord John and the Haunted Soldier. Of the three, I enjoyed Lord John and the Succubus the best. While they all have an element of mystery, it's in the historical detail where they really shine. I think the succubus (which has a real-world explanation) was the most-cleverly plotted, and it has the best look at Lord John's character.

Affinity by Sarah Waters

I enjoyed this book, though I found the ending completely surprising. It really examines the way that people related to each other and why people help each other. I found Margaret's family hideous, but I was left wondering whether her choices didn't contribute to her misery. I enjoyed the twist at the end, but if this book were a mystery, I would think the author had left a bit too much out for the reader to be able to make a fair conclusion.

Tipping the Velvet by Sarah Waters

In this book Nancy Astley thinks she's exchanging her boring life helping in her family's oyster restaurant for a fulfilling one when she leaves home to become dresser to Kitty Butler, music hall sensation. But fame (and love) aren't all they promise to be, and Nan keeps finding that she's gotten the worse end of the bargain as woman after woman betrays her. I enjoyed this coming of age story, but like Fingersmith, Waters really only follows one plotline throughout.

Consider the Lobster by David Foster Wallace

I found this collection of essays to be really refreshing and amusing. Wallace covers a wide range of topics with erudition and grace. From the adult entertainment industry to Dostoevsky and Kafka, and from the 2000 primary campaign trail with John McCain (a deeply ambivalent piece in which Wallace admires McCain's character but deprecates his political positions) and conservative talk radio to the September 11th bombings, from the ethics of eating lobster to a review of Garner's guide to American usage, Wallace is always thoughtful, thought-provoking, and witty. The last-mentioned usage review is the best single piece in the collection, but I enjoyed all the essays.

Hard Core by Linda Williams

The Group by Mary McCarthy

While this book follows the coming of age of a group of Vassar graduates mostly in New York City during the end of the Great Depression and into World War Two, it's really in some ways the story of one woman's unfortunate marriage and how that match affects the lives of her college friends. I read Joanna Smith Rakoff's A Fortunate Age a while ago for the Barnes and Noble First Look program, and at the time heard that she had written an homage to The Group--now I can see she straight up lifted the plot and set it forward sixty years. I enjoyed this book, although I think it would have been more striking if I were a contemporary and if I hadn't read the knock-off version first. Despite the large number of characters, I think McCarthy does a nice job of managing them so that the various scenes illuminate and fill in the inevitable gaps in the history far better than a more full chronology might.

The Other Victorians by Steven Marcus

This book is an academic reading of the dark underside of Victorian sexuality. A large portion concerns publication history, a tricky question because so many of the texts that shed light on the topic were published with false names and dates or suppressed entirely. The book relies heavily on the thesis that these materials show the Victorians operated in a pre-psychological world, that is, in a time before Freud demonstrated how the mind affects our bodily impulses. The style of this book is actually quite enjoyable, perhaps because the author has such a clear grasp of and evident affection for more canonical texts; these traits enlighten his reading of the other, less well-known texts that comprise the body of his work.

Borderlands / La Frontera: The New Mestiza by Gloria Anzaldúa

This book is a hodge-podge of forms and ideas. In its mixtures of form (essays, poetry, history, memoir, and myth are forms that come most immediately to mind) and of languages (English, Spanish, and Nahautl) it both demonstrates the problems of living in the borderlands and starts to demonstrate ways that we--by code-switching, by listening, by acceptance--can live best. I particularly liked the sections on the borderlands and on language. Anzaldúa doesn't hold any punches, and a working knowledge of Spanish will help the reader.