An Imperfect Spy by Amanda Cross

This mystery starts with Kate and her husband Reed taking a sabbatical to teach at Schuyler Law School, where they quickly find that the Old Boys Club is still in full swing and that all is not well at the school--and maybe not in their marriage either. The mysteries play out without a lot of suspense: the heart of the story is about the state of their marriage (at least it seemed to me). So, like many of Cross's books, this one is not a conventional murder mystery. But I still enjoyed it, mostly for watching Kate be a detective.

The Law is a White Dog: How Legal Rituals Make and Unmake Persons by Colin Dayan

This book examines the ways that the law has been used to manipulate the boundaries of the human--especially in the case of enslaved persons and prisoners. Dayan posits that forms such as zombies, ghosts, and dogs appear in literature and culture in response to the ways that the law can be deployed to take away someone's humanity. The book covers a broad time period (dealing with cases in US law from the nineteenth century to the twenty-first) and it combines sources and techniques from a variety of fields, including the law, history, and literature, to end in a stunning indictment of legal systems that take away people's humanity and an exposé of how the cruelest forms of punishment may be written off as administrative conveniences. All in all, a persuasive and useful monograph, and a model for a radical, engaged form of criticism.

The Complete Stories by Zora Neale Hurston

This collection of stories spans a wide range of time (from Hurston's early 30s to just before her death) and includes all her published short fiction and a number of unpublished stories as well (including one, "A Woman in Gaul" which was almost burned after Hurston's death). It also covers a wide range of subjects and genres: some stories draw heavily on the Southern, African-American folklore that Hurston collected professionally, some are set in Harlem, some are fantastical--bordering on magical realism, and some are non-fictional, anthropological pieces. One of the themes that carries throughout the stories is the question of understanding (and language's role in that understanding)--can we really understand each other? how can we use language (or laughter) to both reveal and hide parts of ourselves to protect ourselves from the world? The figure of John (the trickster who came from Africa and outwits Massa despite being enslaved) is key to many of the stories. This collection contains some real gems and demonstrates the range and skill of Hurston's career.

The Garden of Evening Mists by Tan Twan Eng

This book is a beautiful meditation on art, memory, and forgiveness after great inhumanity. Judge Teoh, the narrator, returns to Yugiri, the Garden of Evening Mists, where she served an apprenticeship many years ago. As she sets down the paths her life has traveled, and attempts to bring the garden--the only Japanese garden in Malaysia--back to order, some of the mysteries of the past are unraveled and she is forced to reassess the choices she's made. I really enjoyed reading this book--it's beautiful and mysterious, and it really makes me appreciate how little of the history of Southeast Asia I know.

The Crystal City by Orson Scott Card

This book picks up the pace in the Alvin Maker series again: there's far less repetition of past events and the story moves forward as Alvin rescues thousands of slaves and impoverished French people from New Barcy (New Orleans, under the control of the Spanish) and finds the spot for his Crystal City. He also discovers that to make the city, not everyone need be a maker, but everyone needs to have a part in it. I loved the addition of Abe Lincoln to the series, but I missed Taleswapper (and Peggy, for that matter, who is definitely there, but doesn't have as much of a role). I'm not sure if Card still intends to wrap this series up with a seventh book (supposedly titled Alvin Maker) but if he does write it, I'll be interested to see how he ends things--Peggy's visions make it sound like there will be bad with the good at the end.

Legal Handbook for Photographers by Bert Krages

This book presented legal challenges that might face photographers from a variety of perspectives (i.e. from taking pictures, to publishing them, to defending copyrights) in a level-headed and informative way. The main messages I will be taking away from this book are that it's important to understand your rights, it's better to explain clearly what you're doing (and often to ask permission first), and that if you can avoid legal recourse, it's often cheaper and better than taking someone to court.