The Graveyard Book by Neil Gaiman and illustrated by Dave McKean

This book is a marvelous story about a young man coming of age. In addition to the bildungsroman at the heart of the story--which is quite well done--there are the brilliant surrounding settings. I really enjoyed the idea of Bod being raised in a graveyard and hearing the stories of all the residents of the graveyard. There was also a healthy dose of mythology and the otherworldly. It all came together for a really wonderful story.

The Ocean at the End of the Lane by Neil Gaiman

This book's narrator, upon returning home for a family funeral, inexplicably finds himself drawn back to his old home--and even more so--to the farm down the lane from that home. When he arrives, he realizes that he has suppressed part of his childhood. As he starts to remember what happened at the ocean at the end of the lane, we're drawn into a world of mystery and myth--one where dark powers threaten perhaps all of human happiness. As always, Gaiman demonstrates his marvelous powers of storytelling and his strong grasp of what story means.

The Fall of Arthur by J.R.R. Tolkien and edited by Christopher Tolkien

This book contains J.R.R. Tolkien's unfinished attempt to write part of the Matter of Britain in an alliterative verse form used for Old English poetry (such as Beowulf) and used again in Middle English (for example, in Sir Gawain and the Green Knight). The story starts with Arthur away from England, going east to fight barbarians when he hears of his nephew/son Mordred's treachery back home. The poem is enjoyable--Tolkien had a good ear for this verse form (as he also demonstrated in some of the poetry in his Middle Earth stories and in his translation of Sir Gawain and the Green Knight). Perhaps more interesting, though, is the supplementary material. The first essay is on The Fall of Arthur's place among other tellings of the story of King Arthur, especially The History of the Kings of Britain, the alliterative Morte Arthur, the stanzaic Morte Arthur, and Le Morte Darthur. The second essay argues (I think more convincingly thematically than on hard evidence) that not only was Middle Earth Tolkien's attempt to provide mythology for the English people, but that it was directly connected to the King Arthur legends--indeed, that the Isle of Avalon (where in some versions of the story King Arthur still awaits the moment to return and lead Britain to glory) is Tol Eressëa, or the lonely island, which was where the elves could dwell and look on Valinor after their exile. I really enjoyed this volume; however I would not recommend it to anyone just looking for a good story (there are better--and more complete--retellings of the Arthur myth) or who is a casual fan of The Lord of the Rings. If you like Tolkien's poetry, or are interested in the intricacies of the Arthur story, however, this book is well worth a look.

Zahrah the Windseeker by Nnedi Okorafor-Mbachu

This book is set in a world influenced by African folklore, where technology is organic and Earth is only a myth. Zahrah, born with dadalocks in her hair, discovers that she has a rare, almost mythical, gift. But when her explorations of her power land her beat friend in the hospital, she has to go on a dangerous journey to save him. I found the world fascinating, and the story entertaining, but relatively simple. I love the way that Ms. Okorafor has made her world fresh--it feels new and exciting.

Akata Witch by Nnedi Okorafor

This book is an excellent coming of age story with a good dose of fantasy. Although Sunny was born in the United States, her parents have moved the family back to their native Nigeria. Sunny doesn't fit in because she's albino...and because she's a Leopard Person (she can work magic, or juju). But with a serial killer on the loose, Sunny has to find out who she is and what she can do quickly. This book is full of Nigerian folklore, and a great story about finding your place and your identity. I hope Ms. Okorafor writes more of Sunny's adventures.

The Bone People by Keri Hulme

This book begins when a troubled young boy, Simon, breaks into Kerewin Holmes's tower. Kerewin, a loner, gradually becomes closer to Simon and his adoptive father Joe. But as Kerewin learns more about the family, including Simon's traumatic past, she begins to realize that there are still real troubles plaguing this family. There are no simple or easy answers here. Simon's past is something of a mystery--and it always remains mysterious. All of the characters are damaged, and engage in morally questionable behaviors. While the majority of the book is written in English, it's littered with Maori phrases (translated in the back) and it eschews conventions--inner monologues are set off almost as if they are block quotations, for example. These stylistic differences required attention, but were easy to get used to. In the end this book is lyrical and haunting. Winner of the 1985 Booker Prize.

The Blade Itself by Joe Abercrombie

This book was an engaging fantasy that brought in a variety of historical references in intriguing and new ways. There's conflict all over the Union: the northerners are trying to take back Angland (and the Shanka are pressing in as well), and there's pressure from the Empire in the south as well. The book follows four unlikely protagonists: Logen Ninefingers, who's only just lucky enough to stay alive, who has come from the North in search of a great Magus, Captain Jezal dan Luther, a fop with a lot of luck who realizes that there may be some things worth fighting for, Inquisitor Glotka, who lost everything as a prisoner of war, and now suffers through every day--and makes everyone else around him suffer as well, and Bayaz, a wizard who may just be the first among many and who may have returned from myth (he last appeared as himself during the reign of Herod the Great) just in the nick of time. I'm looking forward to reading the rest of this trilogy.

The Symposium by Plato translated by Walter Hamilton

This dialogue reflects on the nature of love. It uses a fairly involved frame narrative set up--we hear about the party third-hand--to report only the most significant speeches. We get many different views on the nature and purpose of love, but the dialogue especially shows off Socrates's wisdom (which he displays only after several other people have spoken on the topic). There are mythological explanations of love, but the most convincing and beautiful account of love asserts that at its best, it encourages people to become more virtuous and to pursue excellence. A lovely piece of work--I wish I could have read it in the original Greek instead of in translation.

Shadow and Bone by Leigh Bardugo

This book is first in a trilogy set in a world that seems to have Russian roots. Alina, an indifferent mapmaker, and Mal, an excellent tracker, have been friends ever since they grew up in the same orphanage. But in a moment of danger, Alina discovers she has great powers--a magic that no one else has--and is taken away to learn to use them. But Alina discovers that she may not have the whole story and that those teaching her have been lying to her. The magic system in this story strikes me as original, but it wasn't terribly difficult to figure out. I enjoyed this book.

The Last Hero by Terry Pratchett and illustrated by Paul Kirby

This book features Cohen the Barbarian on a final quest--to give the gift of fire back to the Gods. If he succeeds, he will destroy the Disc. And only Rincewind and Leonard of Quirm, using an experimental technology that allows them to travel around the Disc (a spaceship) can save him...but they didn't count on an unexpected passenger. I enjoyed this book--and it's lavishly and beautifully illustrated.

Under My Hat: Tales from the Cauldron edited by Jonathan Strahan

I really enjoyed this collection of short stories about witches. It's worth noting that Neil Gaiman's contribution is a short poem rather than a story. I picked up the collection for the Bigfoot story by Jim Butcher (which didn't disappoint)--but I enjoyed most of the stories in the anthology (usually there's a dud or two). I particularly enjoyed both Jane Yolen's "Andersen's Witch" and Ellen Kushner's "Threefold World" which posit witchcraft as part of the reason for the creations of Hans Christian Andersen's fairy tales and the Finnish epic, The Kalevala, respectively.

The Mark of Athena by Rick Riordan

This book introduces the Roman and Greek counterpart camps to each other, with disastrous effect! The heroes of the last two books (Percy, Frank, Hazel, Jason, Piper, Leo, and Annabeth for good measure) barely escape the Roman camp with their lives on the Argo II and set off for Rome. I loved watching Percy and Jason deal with the challenge of sharing leadership--both are so used to being in charge that their close proximity made for some awkward situations. Riordan's humor and wit continue to shine through in this book. It ends on a cliffhanger, so I'm anxious for the next book to come out (should be House of Hades next fall). I think that these series (this one, the earlier Percy Jackson series, and the Egyptian mythology series) are not only great introductions to mythology, but also have (without being preachy or moralistic) a really great message: the things that make you different may actually be your greatest strengths.

The Song of Achilles by Madeline Miller

I really enjoyed reading this book, which fills out the myth of Achilles and Patroclus--starting long before Homer does, and ending just short of the Underworld. The broad strokes of the story will be no surprise to anyone familiar with the Trojan War. Miller's well versed in those stories (for example, she chooses not to include the part of the story where Achilles's only vulnerability is his heel, an addition to the myth that probably developed after Homer's time), and she's fairly meticulous about the details she includes. But the heart of what makes the story work is the characters. I found her portrayal of the relationship between Achilles and Patroclus moving--each helped the other become his best (and the brief portrait of Neoptolemus, who was raised by his grandmother Thetis, shows the inhuman cruelty Achilles could have obtained). If anything, what Miller gives us is a reading of Homer. It fills in some of the (what we would perceive today as) gaps in the Homeric version and provides motivations for many of the characters. Even though the story holds Odysseus at arm's length throughout the text, I couldn't help loving him even more in this portrayal (he's one of my favorites from those stories). Perhaps best of all, this book made me want to improve my Greek, so I could go back to Homer (and some of the others) and read them in the original (and fill in the gaps my own way).

The Demigod Diaries by Rick Riordan

Although there's a quiz and a word search, this book mostly contains short stories: there's one starring Percy and Annabeth between the Greek and Roman series, one featuring Luke before he came to Camp Half-Blood, one starring Leo making Festus the dragon into the Argo II, and ends with one written by Rick's son Haley about what happens to a demi-god who fought for Kronos after their defeat. I enjoyed all of the stories--they are good light reading, and they helped put me in the mood for The Mark of Athena, which comes out in October. Haley's story is just as good as his dad's.

Ragnarök: The End of the Gods by A.S. Byatt

In this book A.S. Byatt retells Norse mythology (especially as it pertains to Ragnarök, the Twilight (or Judgment) of the Gods) through the eyes of a child sent from her city home to the English countryside during World War II. This perspective both normalizes and makes strange aspects of the story that would have otherwise passed uncommented on stand out--although through the child's perspective everything is accepted in a way that an adult might not. I thought that this story made a powerful case for the relevance of myth in the modern age (and a slightly-less convincing (or maybe just more-disturbing) one for the Ragnarök stories in particular--warnings about beings who despite their power cannot stop themselves from destroying their world).

The Lord of the Rings by JRR Tolkien

It took me longer than usual to read these books this year; I think I both got tied up in library books and busy doing other things than reading. When I did finally read them, I was most struck by the language and the structure this time around. Tolkien has a very good ear for the English language--so he was able to make his book sound like something that's come out of thousands of years of mythic history--while still using subtle differences in dialect to distinguish between the types of characters (and he has a series of invented languages from which the Lord of the Rings was supposedly translated that add a layer of complexity to his work). The structure is also very well done--things that open earlier in the story close later on (even Fredegar Bolger, who was left at Crickhollow in an attempt to foil pursuers is accounted for when the hobbits return to the Shire after destroying the Ring). I think this happens most clearly in the case of Smeágon/Gollum: his fall in Mount Doom is clearly foreshadowed by the oaths he swears on the Ring while he helps Frodo and Sam into Mordor. Despite the clear losses that everyone suffers in the story, it's really a hopeful tale: good can prevail, at least one age at a time, and we know it is good, not just because we are told so, but because it treats those who have done it evil with kindness and mercy; we can also track evil in its self-defeating hostility to all, even its so-called allies. I really love these stories--and I can't wait for the movies about The Hobbit, which start this December!

The Serpent's Shadow by Rick Riordan

This book did a great job of wrapping up the Kane Chronicles. I enjoyed watching the Kanes negotiate maintaining their own personality and individuality in the face of incredibly powerful gods whose help they needed to defeat the forces of Chaos. This trilogy is entertaining and similar in conception and execution to the Percy Jackson books (with a different set of gods, of course). It's a fun introduction to Egyptian mythology, and a compelling story.

Apocalypse by Troy Denning

This book concludes the Fate of the Jedi series, and wraps up most of the loose ends from the series, while setting up a few new directions for stories--mostly focused on Jedi-v.-Sith encounters. There was actually a lot of mythology in this story to explain who Abeloth actually is (and to ret-con a few Clone Wars TV episodes). I enjoyed the Jagged Fel parts especially--he plays the political game as well as Princess Leia (and apparently flies as well as Han Solo, so he's sort of a complete package). The parts with Allana/Amelia Solo were fairly unbelievable (although so was Anakin Skywalker in Episode I, so maybe it's a Jedi thing. But then we all know how well that turned out for him....).

Collected Poems, 1948-1984 by Derek Walcott

This collection of poetry shows off Walcott's virtuosity and skill. He has a fine ear for the English language and shows its richness and its beauty throughout this volume. Walcott also uses his poetry to think through colonialism, exile, and the United States empire in really productive ways, turning to classical myth and religion on one hand and the rhythms of Calypso and the Caribbean on the other to help with the work.

The Son of Neptune by Rick Riordan

In this book Percy Jackson appears at the Roman equivalent of Camp Half-Blood but he has lost his memory. He makes friends with Frank and Hazel, outcasts even in the camp's disgraced Fifth Legion and gets sent on a quest to redeem the honor of the Fifth Legion and help stop Gaea's evil plot to take over the world. I really enjoyed looking at the Roman side of things--Riordan has obviously put a lot of thought into how the differences between Greece and Rome would play out in his fictional world. The book is very funny at parts, moving at others, and full of wholesome fun. I can't wait to see where the series goes from here (and for the Greek and Roman counterparts to meet in full!).