The Players Come Again by Amanda Cross

I really enjoyed this mystery, which starts with Kate Fansler being asked to write the biography of the wife of a famous modernist, whose masterpiece Ariadne features a female narrator. Kate is persuaded to write the biography by a childhood account written by a woman peripherally connect to the writer's family--but as Kate begins her investigations, she discovers this woman (and her two close friends, also connected to the writer) are alternately encouraging and stonewalling her investigations. This story didn't work like a conventional mystery, but I really enjoyed the literary detective aspect of it. It's definitely one of Cross's finest stories.

All We Know: Three Lives by Lisa Cohen

This book provides three more-or-less well-developed biographical sketches of three women who traveled in similar circles during the years of modernism. It contends that in understanding the lives of these three women (Esther Murphy, Mercedes de Acosta, and Madge Garland) we can uncover a feminine side to high modernism, which seems to consist of a writing side, a fan side, and a fashion side. But I don't think the book makes its case particularly well. Even though all three women knew each other, I had trouble understanding why we needed their stories to be told together. The biographies are certainly entertaining, I just am not sure the premise of the book holds together as well as it might.

Fire Down Below by William Golding

This book is about the end of Edmund Talbot's journey to Australia. After a risky repair to the mast (which involves setting a fire in the very bowels of the ship), the ship limps its way into Sydney harbor. But as they arrive, Edmund realizes that everything has changed--both internally and externally. I think that this book is a great conclusion to the trilogy, and that the trilogy is greater than the sum of its parts. While I really disliked Edmund in the first book, he's grown and changed in realistic ways into a much better hero by the end of the trilogy. Stick with these books--all three are vital.

The Ghost Road by Pat Barker

I didn't realize that this book was the third of a trilogy until after I read it, but I think it stands fairly well on its own. It's a World War I story, with its perspective shifting between a doctor (and his memories of his previous imperial service) and a working class officer, friends with figures such as Wilfred Owen, who is determined to go back to war despite the fact he no longer believes it is just. Winner of the 1995 Booker Prize.

The Amazing Maurice and His Educated Rodents by Terry Pratchett

This book is the first young adult entry in the Discworld series, and the first with chapters. It starts at the Unseen University when a group of rats (and through the rats, a cat) eat something discarded by the wizards and find they can think and talk. Maurice develops a scam in which he uses the rats and a dopey-looking boy with a pipe to make money on unsuspecting towns. But when they arrive in a mysterious town in the Überwald, they find that the joke may be on them! The book was well-plotted and engaging throughout. I really enjoyed it.

The Twelve Tribes of Hattie by Ayana Mathis

This book tells the story of a woman's life through the viewpoints of her children--starting with the twins who died young, and ending with a granddaughter. I loved the way each viewpoint expanded the story, so we could see Hattie's many different sides and her struggle to determine her identity in the face of the demands of her family. The book was lyrical and well-plotted. I look forward to Ms. Mathis's next book.

A Trap for Fools by Amanda Cross

This mystery starts more quickly than most Kate Fansler mysteries: we know from the first chapter who has died (an unpleasant professor who had locked horns with Kate--and many others--on many occasions). Partly because Kate has investigated mysteries in the past, and partly because she is one of two possible suspects with an unimpeachable alibi (the other, the victim's widow, was out-of-state at the time of the murder), the university asks her to determine what happened. I thought this story started out more quickly than usual, but in some ways it fell behind and relied a lot on the reader's trust of the detective, rather than the reader's ability to put things together. I enjoyed it, but it's not one of Cross's best mysteries.